I tend to treat each image individually. Some shots need retouching and others are fine as they are. Essentially, I try to keep retouching to a minimum, but sometimes I’m faced with a task that would be impossible to shoot under-water. For example, the campaign that I did last year of a girl laying on her back and floating above a Jacuzzi (see the title image for this story) needed to be a montage of two images. I shot the girl underwater, and another photographer was commissioned to do the room set—which would have needed a ridiculous budget to shoot underwater.