After more than 10 years of total rejection of photography, I came back to my craft in 2006. It was a period where I needed to get rid of the research of "beauty" and thus move towards research of the "meaning" in photography. I developed my personal style in the realm of “Conceptual Photography 2.0”, where a concept is represented by a symbolic language. “Conceptual Photography 2.0” conveys a mood, a feeling, a concept by employing a (more or less) cryptic symbolism left to the free interpretation of the viewer.