Her unrestrained ability to excite and inflame the senses, while provoking the audience with vivacious movement and purpose, stirs one’s memories of Baroque painter Peter Paul Rubens, and his Massacre of the Innocents; where the drama of bodies straining, cascading and crushed against one another, thunders with heartache from the canvas. These works not only demonstrate her prolific use of the photographic medium to transform reality, but also her ephemeral approach to life itself.