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The visual aesthetics are purely
symbolic in their
thought
application and structure; with decomposing forests of broken memory
connections, and tumbling of vertigo into the correct positions of
phenomenal reality. The shallowness of the area above the horizon
line
indicates the division of the limited amount of information consciously
perceivable (atmosphere-above) and the larger mass storage of all the
sense information, rationalizations,and prejudices of the
subconscious
below (hydrosphere-below). The nexus of contingents between
drowning
and floating, falling and flying, dying and living are some of the main
unphysical-intangible themes in this series.
A dominant temporal element of composition would be
the use of the
female form. I used the intrinsic values of this object to exploit and
illustrate the submerged network of the unconscious condemnation and
restriction of the nude form in popular society. With this formation of
energies being repressed in the subconscious state, one's behavior
could start to dissolve the foundation of the self. With no outlets for
expression, one could only predict the unconscious wishes could turn
into anxiety and transform into synthetic states; such as
phobias,aggression, and other maladjusted personality disorders.
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