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In
each of the images the visible body and the object are vehicles to
enter a secret but bright world, openly presented although
encapsulated, that refuses touch but offers itself to the glance, in
the same way as religious iconography. The set up presents the time of
the unconscious with its free association, its longings and fears;
human acts have been intertwined inside an unreal world which is out of
phase; death is staged again inside the sacred radiance of the golden
glaze. |
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