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Commercial
photography beckoned too, and by 1997 I had an agent, Polly
Smith. I was beginning to get editorial magazine work and started
to have shows, mostly in cafes. I love the idea of my work hanging
where people can sit and drink coffee or wine and quietly soak the work
in. For me there was no question that I would return to New York and I
did after living bi-coastally for three years shooting freelance and
working for things like the Google Earth project, which hired me to
shoot architecture and allowed me to travel frequently to California.
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