Many people are under the assumption that I do a lot of digital manipulation of my images. The fact is that about 95 percent of what you see in the photograph was on set that day. All blurs or distortions are created by either the model moving at my command or objects that are moving in the set by means of a variety of motors, wires and mobiles.

Once I have the image done, I send the digital file to a company in California by the name of CALYPSO IMAGING (www.calypsoinc.com); they print my digital file onto Fuji crystal archive color photographic paper using a wonderful machine called a "light-jet". (I must tell you that the owner and staff at Calypso are just great. I highly recommend them. All of my limited edition exhibition prints are printed by them.) I then get the prints from Calypso and edition them.